Saturday, 16 February 2013

st valentine


















photography: stella thai
model: megan emmett
hmua: martha mok
stylist: emma amies

megan came down from kiama to shoot with us the day before valentines day. there were so many beautiful outfits, and fleeting moments of sunlight (after a few days of rain and dark clouds) that we told a million stories with. megan danced with long skirts, waited for her valentine to arrive, melted into the trees and smiled at us through a window.

because the most painful thing is to be separated by a panel of glass - to see what we long for on the other side, and yet unable to reach it for no matter how hard we try to break it, it's impenetrable. all we can do is wonder and marvel at the beauty on the other side.






Monday, 11 February 2013

tutorial and free colour curve - misty waters


indeed everyone, i finally have the time (and patience) to do the tutorial for the 'misty waters' look that i showed everyone a few days ago. the misty waters effect is actually really simple and quick to achieve as long ad you know what you're doing. for this example, i've chosen to use a behind the scenes photo that i took quite a while ago from one of julia trotti's photoshoots. i'm actually quite happy with this photo and love the light of it, but for the sake of this tutorial lets pretend like i want to create something a little more.. misty (or whispy).


the first thing that i do (after opening the file) is add a solid colour layer to the image. you can choose what colour to use but i prefer to stick to the colour white to have it imitate something a little misty.



i then select the mask layer (as you can see in the window on the right) and add in a gradient from black to white. this will make the solid layer fade as a gradient. the black end of it is transparent and the white is therefore opaque. you can choose which direction to have it go in and whether to use a rounded or straight gradient like i have here. it's all up to you. you decide what looks best for your image.


this step isn't essential but, for fun, i added a second solid layer and, like i did with the first, added the gradient in the mask. this time i added a circular gradient and had it come up from the ground. what you can also do is paint bucket the mask black and then use a white 'brush' to add in the misty/fog manually. this is a bit more time consuming but will give a much more realistic effect and gives you a lot more control over the final product. you can layer up these white layers to create thicker mist/fog, especially good for landscape images.


of course, i wouldn't leave the entire thing completely opaque. here i've played a little with the transparency and fill of the layers to give it the effect that i want. this is, once again, all up to you to decide.


from there, i go back to my background (the original image) and duplicate it. i add on the 'misty waters' colour curve (which is available as a free colour curve download at the end of this post), to give it the final look that i want. i then decide if i want to make any extra changes to the transparency and...

it's done!




and as always, don't forget to credit when you use, do not redistribute, rename or sell, and comment! let me know what you think, what you want to see more of and show me what you've done with this curve/tutorial.

Thursday, 7 February 2013

style inspiration

english rose


feminine, ladylike, soft and gentle.

the english rose.

a beautifully elegant girl, full of life and wonder, with the world at her feet and stars in her eyes. i want to discover the girls who love to live and live to love. the girls who carry fresh roses and walk the early mornings to cafes. i want to meet the girls who lived in other eras - the romantic, the innocence and the sweetest rose.

Wednesday, 6 February 2013

misty waters


 usually, i don't retouch my images all that much. my favourite thing to do is warm the images up, bring out some strong blacks and add a tinge of blue to the blacks. naturally, theres a bit more of a process than that but the main point is that i'm not one to 'manipulate' photos very often. however, dinner plans with my best mate had fallen through tonight because of his car's dead battery so i thought i would try something a little bit different.

these are all outtake photos from old photo shoots that i've added a slightly misty effect to (although i'm thinking of trying something similar with a landscape or a forest image just so i have a bit more ambience to go with). i've also given the colours a softer and slightly cooler feel to match the 5am sunrise.

this isn't something that suits all photos naturally. i think that it works best for photos with a soft focus that are slightly back lit or have a bit of a light flare. you also get the best results, in my opinion, by starting with an image with a clear light source that is slightly out of focus (or even completely if you want). it's a fun way to make use of 'those' photos.



i have the curve for this which i haven't released yet simply because there's a little more to it than just adding in a colour curve. however, if anybody is interested just drop a comment here or send me a message on any other platform - i can write up and make a tutorial for this and release that colour curve prior to the release of "angel kisses" next week.

just wasn't sure who would be interested in 5am misty waters.

and yes, i will confirm that i will be aiming to release at least one colour curve or tutorial every week.

instagram


surprisingly, i often get asked what it is like behind the scenes of my photoshoots. after having seen my work, i've had a large number of photographers, students and friends ask to assist at my photo sessions either because they want to learn something from me or just want to experience what happens to create the final images. for me, i document most of this on my instagram account.

i know that there are a lot of photographers out there that absolutely detest instagram - detesting their filters or for allowing people to pass off selcas or snap shots as professional 'photography'. however, i think that people shouldn't dismiss instagram for what it really is.. yet another social network. and i love social networks, so we all know i'm all over and obsessed with it. but back onto the topic of behind the scenes of photoshoots.

naturally, it differs from job to job but it usually involves waking up very early in the morning (at least it does for me). there is hairspray flying everywhere, make up artists running around with powder, stylists throwing clothes at everyone and me? well, i'm happily assisting and taking part in everything. since i like to organize most of my own shoots, i like to know what is happening and how everything is being pieced together. i'm not sure how many other people do that and you can call is a perfectionist but i do love to plan meticulously.


here's some behind the scenes snaps from the recent "monster" shoot. as you can see, there is often jeffrey campbell and doc marten involvement, sometimes a crystal bra now and then, as well as blue fluffy things like that incredible sportsgirl jacket that i wish i owned. most of the time, i'm surrounded by clothes that i love, wish my owned but really don't and can't. it's sad but its much safer for my wallet than actual shopping is (and that can happen after we wrap up anyway).

personally, i like to travel light. i bright along with me my camera, my wallet and a bottle of water. recently i've taken to bringing along a tripod and a flash too - just in case, although i like to rely on natural lighting. i've been considering bringing along a reflector or two as well, just to play around with it more, but i still get a better result under natural lighting. i always do.

in this photo, it is the heaviest i had ever travelled! a camera, a tripod, a flash, a water bottle, a jacket, six pieces from black milk and nine pieces from mix n' match (liverpool clothing store which had so generously allowed me to pull clothes from for our shoot). even then i hadn't brought my extra lens, which i rarely do, since i'm so attached to my 50mm f1.4.



sometimes we chase kittens, fold a shoe box full of paper roses, or cover a couch with dresses (which was so handy as it was indoors and sydney was burning down in a heat wave on the day). at other times, things are laid out outdoors and, after the shoot, there is always the tradition of japanese/korean cuisine over in the sydney CBD.

overall, i guess the point of this post was to tell people that photography is fun. i like to call it a job but i would never treat it as one. although professional, a set should also be comfortable and friendly for all parties. with all these dreary desk jobs in the world, we don't need to make photography one of them as well. have fun, learn more with every shoot and remember that no matter how long you have been in the industry, you are always growing!

and there is always time for udon.

free colour curve - warm sundays


incase anyone was indeed wondering, i am going to start releasing some photoshop curves for people to download and use, completely free. the reason i'm doing this is because i really do use curves religiously for my photos and learnt how to do so via downloading and analysing the colour curves made available by other photographers. there are plenty of absolutely amazing colour curves being sold out there for very reasonable prices, but these are just going to be some that i will release for educational and personal uses.

please do not rename, sell, repackage or redistribute these curves. i am doing this and trusting in people to respect intellectual property and copyright. thank you so much.

this is my first released colour curve of 2013 called 'warm sundays'. it's a splattering of warmth in your photos, giving skin a honey soaked tone and bringing out beautiful colours in both brunette and blonde hair. it instantly brightens an image and makes it welcoming and joyous. this colour curve is best suited for overcast days, for turning rain into sun showers and inject warmth into an otherwise cold photo.


CLICK HERE TO DOWNLOAD "WARM SUNDAYS"

ps don't forget to credit me when you use this curve and, of course, send me a message and let me see what you've done. i would love to see what wonderful things you create!

Tuesday, 5 February 2013

monster - black milk clothing

 mon-ster [noun]
a person who excites horror by wickedness, cruelty, etc.



see the monsters of society. we are presented with greed, who desires material wealth so much as to become malicious; the american dream, who distorts reality to escape humanity; vanity, whose only care in the world is in her own appearance; mother nature, whose become corrupt and cannot tell good from evil; and the black cat, who will take advantage of the lonely to fill her cold heart.



society has created a monster, and we have just revealed them.













considering my personal love for all things black milk clothing, there was no hesitation on my part when i had the opportunity to photograph for their brand. braving the horrible australian weather, which had suddenly turned into rain and hurricanes (making the run through a little difficult and worrisome but smooth nonetheless), we headed onto location with eager expressions and passion for what we were doing.

also looking forward to more work in the future with black milk clothing in the next month or two. today i had also booked in another shoot, my second with go east art, and am in talks with more collaborators. so many dreamers and stories to tell, so much excitement and memories to make.

photography: stella thai 
model: ellie rose giddings
hair stylist: mary alamine from royals hair
mua: tara lawrence
stylist: spenser blake and laura cave

inspiration:

fiction








apparently it was the hottest day in recent years in australia and there i was, having travelled nearly two hours away from my house, camera in hand ready to discover some magic in the shoot that we had organized the week before. the stylist arrived with a suitcase of treasures and the model introduced us to her royal kittens - all scurrying to run outside after hearing our ruckus. so we discovered magic. we found royalty and privilege in the sweltering heat, chasing kittens and staying over air vents to cool us down.

and then it took me nearly four hours to get home because trains broke down.

photography: stella thai
model: sophie crenigan
hmua: jade lee
stylist: emma amies